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2:49 pm
Thu August 25, 2011

"Pillar of Motown" Esther Gordy Edwards dies at 91

Credit Eastern Michigan University Archives
Esther Gordy Edwards Donating Motown Collection with Eastern Michigan University President Harold E. Sponberg and Larry Head of the Alumni Department

Update 2:49 p.m.

Michigan Radio's Sarah Hulett spoke with Motown Museum CEO Audley Smith.

Smith said Edwards was instrumental in starting Motown. From Hulett's report:

Edwards served as the label’s vice president, its corporate secretary, and its director of international operations.

But Motown Museum CEO Audley Smith says even before that, she established a "savings club" for her family’s entrepreneurial pursuits.

"And that fund was where Berry Gordy got the first $800 to start his record company," said Smith.

Smith also said that Edwards was a mother figure to many of the Motown artists who became stars.

"She felt that by sharing her love and her wisdom and her guidance and her time and her resources and her tough love, that she could make a difference in the lives of young people," said Smith.

Hulett reports that Edwards stayed in Detroit after her brother moved the Motown label to Los Angeles in the early 1970s. She started the Motown Museum in 1985, which sees 60,000 visitors a year.

1:05 p.m.

Esther Gordy Edwards, the elder sister of Motown Records founder Berry Gordy Jr., died last night at the age of 91.

From the Associated Press.

The Motown Museum made the announcement Thursday. The museum, which Edwards founded, says she died Wednesday night in Detroit surrounded by family and friends. Edwards was a Motown executive for nearly three decades.

She served as senior vice president, corporate secretary and director of Motown International Operations, where she was charged with exposing the famed "Motown sound" to international
audiences.

Berry Gordy Jr. released a statement today saying his sister was "was the most educated in our family and was the go-to person for wisdom in business." Berry Gordy Jr. praised her for preserving Motown's history after he sold the company 1988:

Esther turned the so-called trash left behind after I sold the company in 1988 into a phenomenal world-class monument where Hitsville started—The Motown Museum.She preserved Motown memorabilia before it was memorabilia, collecting our history long before we knew we were making it. She nurtured and held it together through the years, protecting the Motown legacy for generations to come—which is only one of the reasons people all over the world will remember and celebrate Esther Gordy Edwards. Despite my sorrow, I will proudly continue to honor and celebrate her. She will always be my big sister and she will forever live in my heart.

Billboard Magazine writes that this is the second loss Motown has suffered this week "following the death Tuesday of legendary Ashford & Simpson songwriter, Nick Ashford."

The Detroit African American History project writes that Esther Gordy Edwards was born in Oconee, Georgia and moved to Detroit as a child. She's a graduate of Cass Technical High School and attended Howard University and the University of Michigan. She was married to former Michigan State Representative George Edwards.

Your Story
10:43 am
Mon August 22, 2011

Preserving Jewish community in Detroit

Credit courtesy of Backstage Pass MI
Joshua Goldberg and some of the Backstage Pass MI cohort.

Detroit’s shrinking population is well-documented, as are the many incentives offered to people to move back into the city center. These efforts are a mix of hyping what Detroit can become and offering economic incentives for those willing to give it a try. A group of Jewish organizations in Metro Detroit has been using the same formula to keep young Jewish people from leaving the area.

The Jewish population in Michigan is less than 1 percent, according to the U.S Census. The overwhelming majority of those 87,000 people live in Metro Detroit, in an area east of M5 and north of Interstate 696, according to Joshua Goldberg of the Jewish Federation of Metro Detroit. But the area’s Jewish population has been falling steadily for at least the last few decades. Mirroring a trend in the state overall, in the Jewish community the young people are leading the march out of state.

Arthur Siegal wants to reverse this. The 50-year-old attorney and Wayne State graduate conceived of the Back Stage Pass MI program. The four-year program started last year selects promising Jewish high school students before their junior year and culminates in a Detroit internship placement after the student’s sophomore year of college. Along the way, the program takes its cohort of around 20 students a year to cultural and social events designed to show Detroit at its best.

“These young people are really wanted in this community, they are going to be sought after here,” says Siegal. “There are amazing opportunities for people who stay. Land is cheap, labor is cheap, and the opportunities to do your own thing and make your own mark are unparalleled. ”

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Culture
5:04 pm
Sun August 21, 2011

Students, faculty to fast along with Muslims

Credit University of Michigan

About 100 students and faculty from the University of Michigan Medical School plan to abstain from eating and drinking all day tomorrow. It’s part of “Fast-a-Thon 2011,” when non-Muslims are invited to get a glimpse of the experience of Ramadan.

Shaza al-Holou heads the Muslim Medical Students Association at U of M. She says it gives perspective to physicians and future physicians who might have Muslim patients.

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Arts/Culture
4:00 pm
Sun August 21, 2011

Detroit Institute of Arts uses restricted funds to cover operating costs

Credit Photo Courtesy of the D.I.A.
The famous Rivera Court inside the Detroit Institute of Arts

The Detroit Institute of Arts is struggling to raise money in this tough economy. It doesn’t help that Detroit is still reeling from the recession, and a quarter of its tax base, which helps fund the museum, has fled the city over the past decade.

To help relieve a little pressure, DIA director Graham Beal asked permission to take money from funds dedicated solely to acquisitions, and temporarily use it to cover operating costs. In his monthly newsletter, Beal explained it like this:

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