There are many reasons to lament the slow disappearance of newspapers. But here’s one you may not have considered: the loss of cartoons and comic strips.
You might be startled that an old political and news analyst would say that. But in fact, comics, both overtly political and not so, have always been great political and social barometers. Back in the late 19th century, Boss Tweed, the corrupt New York City political boss, was largely done in by Thomas Nast’s cartoons.
Before he was carted off to jail, Tweed complained bitterly. He didn’t care what the reporters wrote. After all, many of his supporters didn’t read. But Tweed said “them damned pictures are killing me!” Thanks to Nast, he died in jail.
Nationally syndicated political cartoons aren’t as big as they were when Feiffer and Herblock reigned supreme. In modern times, the national mood seems to be captured more often in comic strips. Doonesbury was the must-read of the 1970s; Bloom County captured the 1980s.