After three years of writing, arranging and recording, Red Tail Ring’s Michael Beauchamp and Laurel Premo are out with their new album.
It’s called Fall Away Blues. It blends new folk songs on subjects ranging from gun violence and fracking to our deepest relationships and changing sense of place. It also features some old traditional ballads and tunes.
Our conversation with Adam White and Barney Ales. White is a music journalist and former editor-in-chief of Billboard. Ales was Berry Gordy's right-hand man and president of Motown from 1975 to 1978. The two co-authored “Motown: The Sound of Young America"
You’ve surely heard many stories about Motown over the years. Stories of its stars or of the ambitious Berry Gordy Jr. using an $800 family loan to build one of the most impactful record labels anywhere.
But there’s a side to the Motown we haven’t heard much about until now: the business side. The entrepreneurial spirit, the hard work and the hustle to “get the records played and the company paid.”
Michigan boasts an exceptionally rich mix of folk, ethnic and immigrant music, and it goes back centuries.
Music professor Lester Monts wanted to capture that rich tapestry, so he spearheaded the Michigan Musical Heritage Project.
The project has three distinct goals: to create a full documentary, a video archive, and a University of Michigan course – all about Michigan’s music.
“We’re such a musical mosaic in this state that so many different immigrant groups, ethnic groups, folk groups have moved into the state and many of them have maintained or compartmentalized much of their music and culture,” Monts said. “But others have sort of fused together in such a way that they have created something very new.”
Sova records the heartbeats of young patients, and then sets them to music.
Whether it's the heartbeat of a tiny baby heading home after being successfully cared for in the ICU, or the heartbeat of a child nearing the end of a battle with cancer, the recordings Sova makes are treasured by parents and families.
Here’s how the Threshold Choir works. Typically, Hospice or a family member call ups the choir when someone is sick or dying. A small group of singers arrive at the person’s bedside and sing very simple songs with lyrics like “You are not alone, I am here beside you.”
Choir members say it’s not a performance but rather a way to be present with someone who’s dying.
Their friends tease them that singing to people on their deathbed must be depressing. But the singers say it’s energizing and life-affirming. They say it’s the opposite of depressing.
CREEM Magazine began in 1969, sold from the trunk of Barry Kramer’s car. Kramer was the creator and publisher of the magazine, and from that small beginning, it blossomed into one of the top music publications in the world. It was bold in its irreverence, and it launched the careers of some of music’s biggest names — both artists and writers.
Now, it’s the subject of a documentary, Boy Howdy! The Story of CREEM: America’s Only Rock ‘n’ Roll Magazine.
Make Music Days have appeared in 700 cities in 120 countries across the world. The events are inspired by France’s Fête de la Musique, a celebration inaugurated in 1982, and they occur on the summer solstice, June 21. Now, it’s coming to Detroit.
Make Music Detroit will feature more than 100 performers, professional and amateur, at 24 venues, and it will run this Tuesday from noon to midnight.
Mike Woo, the event producer for Make Music Detroit, joined us to discuss how Make Music came to Detroit and their goals for the event.
The Magical History Tour, a 10,000-square-foot exhibit that explores the full history of the iconic rock band is coming to Dearborn. The exhibit takes fans through the band's early days in Liverpool through its break-up in the 1970s and the solo careers that followed.
While there are millions of fans of the band in the Great Lakes State, the number of significant connections to Michigan is relatively minimal (Paul McCartney has a Detroit Red Wings sticker on his guitar!). So why was Michigan chosen as the first stop on this tour?
As part of Michigan Radio’s Songs from Studio East series, this year we are exploring music that combines both contemporary and traditional music from around the world.
Today we met Ann Arbor native Tyler Duncan and Irishman John McSherry.
Despite being an ocean away, they play in a band together, called the olllam. The two have toured across the U.S. and in Europe producing a fusion of pop, rock and Irish music.
Duncan's musical career has included a variety of genres, like pop, rock and electronic. He has won international awards for playing traditional Irish instruments, like the uilleann pipes, a lighter version of Scotland's bagpipes, and whistles, a staple in Irish music.
He discovered Irish music when he was 11, when his aunt gave him a VHS copy of Riverdance. A pipe solo in the middle of the show grabbed his attention.
"As a kid I just was like, 'Woah, what is that? What is that instrument?'" he said. "And that got me really interested in the pipes."
Years later, as a 13-year-old Duncan moved to Ireland for a year with his family. His father took a sabbatical there.
He was given a tape he loved, which he later learned featured John McSherry, a rising star in the traditional Irish music scene. Then, when Duncan was in western Ireland, he had a chance to meet that musician.
He said it was a "serendipitous" meeting at a jam session in Milltown. Someone told Duncan that McSherry was at the bar. So Duncan started to stare. When McSherry's girlfriend noticed, the two introduced themselves.
That was the origin of the friendship that lead to the olllam.
Vincent York, the front man for the Vincent York +4 will be performing in Ann Arbor on April 30, which is International Jazz Day. The composer, bandleader, educator and advocate for the arts joins Stateside to talk about his upcoming performance and why jazz should be celebrated.
The Ann Arbor-based fusion band Sumkali brands themselves as “Indian music made in America.” Everyone in the band calls Michigan home, but according to the band’s founder John Churchville, half of them have family ties to India.
All the different band members bring their own skill sets, instruments, and influences that make the group the very definition of a fusion band. In the end, they create a sound intended to reach many different people.
Ann Arbor’s Chris Buhalis is releasing an album. It’s called Big Car town.
Listen to the interview
A few years ago, when Chris was finishing up the album, he severely injured his left thumb and three other fingers in a table saw accident. He remodels houses for his day job. As a guitarist and singer/songwriter, there was a point where he thought he would never be able to play guitar again.
Detroit-based duo Gosh Pith released their second EP Gold Chain.
Josh Freed and Josh Smith are the artists behind the band.
Their music is difficult to categorize – think heavy beats and drum loops juxtaposed with soft melodies, easygoing vocals and traces of electric guitar.
These self-proclaimed "children of the Internet" say their musical influences are wide-ranging, from folk and rock to hip-hop, techno, and R&B. But it's ragga – often called dancehall or dub – that has won them over in recent years.
Music that hasn’t been played, or even heard, in centuries could be coming to a concert hall near you in the coming years. This is thanks to a rare sheet music collection donated to the University of Michigan that includes tens of thousands of pieces that date as far back as 1790.
Kristen Castellana, a music librarian at the University of Michigan Library, is helping lead the charge on a massive project to catalog and digitize about 115,000 sheets of music. The sheet music collection belonged to Thomas Edison and was donated by the Edison Phonograph Company.