Economists at Grand Valley State University estimate last year’s ArtPrize added up to $7.5 million dollars; that’s just a little more than the first ArtPrize in 2009. But the study’s authors say they kept their estimates conservative.
The Michigan Civil Rights Commission wants public input about bullying. The commission works to prevent and investigate discrimination complaints under state civil rights laws. It’s holding a series of forums across the state to collect the information in hopes of tackling what they say is a growing problem.
Striking musicians with the Detroit Symphony Orchestra say that after five months on the picket line, they’re willing to come back to work without a contract.The musicians say they’ll go back on stage “immediately and unconditionally” if Orchestra management agrees to binding arbitration. The musicians propose that its union and Orchestra management each pick one arbitrator. The two people selected would then pick a third arbitrator to hear the case.
The musicians of the Detroit Symphony Orchestra voted today to return to work without a contract.
Greg Bowens is the musicians spokesman:
"It was a very difficult, gut-wrenching decision; something we would have thought was unthinkable a week ago today, and that is they are trying to extend the hand of friendship in an effort to end the strike under the conditions management had previously imposed."
Bowens says the exact conditions under which the musicians would return will be revealed at a press conference this afternoon.
Management still has to agree to the idea.
The musicians have been on strike since October fourth.
Bowens wouldn't give details on why the musicians voted to go back to work without a contract, except to say this:
"Look, the Max M. Fisher Theater is spiraling out of control financially. Artists are turning down left and right the opportunity to perform there because they don't want to be a part of this strike.
The musicians understand that it's an important part of the economic engine for Midtown, and so they want to do everything they can in order to let the music play."
As the fight between Detroit Symphony Orchestra management and musicians drags on for the fourth month, another fight of sorts is playing out on facebook.
Before the strike vs. now
The DSO facebook fan page used to function like a typical fan page - stories about visiting conductors, upcoming concerts, and news about the orchestra’s Tiny Tots series.
But as the strike progressed, management has turned the DSO facebook fan page into a strike-update page, posting about negotiations and contract proposals.(The Detroit Symphony Orchestra musicians have their own facebook page and post their viewpoints there.)
Some, like DSO Executive director Anne Parsons, describe the DSO facebook fan page as "a pretty active place to be." DSO conductor Leonard Slatkin commented on the page's level of "vitriol" at one point in a Detroit News Article.
Old shoes may be brought to the Heidelberg Project office at 42 Watson in Detroit, MI 48201. The office is open 10 a.m. - 5 p.m., Monday to Friday. The shoe collection will continue through mid-to-late March.
The Heidelberg Project is two blocks of art installations along Heidelberg Street on Detroit's east side.
Starting in 1986, artist Tyree Guyton converted abandoned houses along his street into pieces of art by painting them and installing various pieces of junk on the houses and up and down the street.
When you think about improvisation you might think of comedy or jazz. The idea of cartooning or drawing comics is probably not what comes to mind. But a little comic book shop in Dearborn is giving artists a space to try out new ideas, together, on paper.
Green Brain Comics hosts a monthly comic jam. It’s similar to the writing exercise known as an exquisite corpse. In this case, an artist draws one panel, then passes it to someone who draws another panel, and so forth. The end result is an entire comic strip, created by eight artists.
We put together our stories about arts and the economy in the state to create an hour-long documentary called The Cost of Creativity. On today's podcast, we'll hear the final installment of the doc.
And because Artpod is about all things Michigan, all the music you'll hear on The Cost of Creativity is by Michigan artists. The musicians featured on today's podcast and Luke Winslow-King and Ben Benjamin.
The Detroit Symphony Orchestra strike might be reaching a crescendo. The DSO issue what it labelled its 'final offer' to striking musicians this week. And now, the Associated Press reports, the musicians union has scheduled a vote:
According to the Detroit Free Press, the Detroit Independent Film Festival has announced their lineup for this year's 5-day festival.
Highlights include the premiere of Mike Allore's short film "World of Art," which will open on the first night of the festival at the Ren Cen 4 Theatre at the Renaissance Center.
The festival will feature more than 80 films, two opening night receptions, and the Michigan Film Awards on March 12. The Michigan Film Awards are presented in cooperation with the Uptown Film Festival in Birmingham.
The 2010 Michigan Film Award for Best Michigan Feature was Tracy, produced by Brian Fee and Dan Scanlon.
Grand Rapids City Commission gave their support to a big motorcycle event scheduled to take place this summer. Organizers of a new big motorcycle rally were able to coax commissioners into supporting a shortened version of the original event.
Detroit rap star Eminem, who was nominated for a record 10 Grammy Awards, took home two top honors: Best Rap Solo Performance and Best Rap Album. Brother and sister duo BeBe & CeCe Winans won Best Gospel Performance for their song "Grace." Best Classical Contemporary Composition and Best Orchestral Performance went to University of Michigan composition professor Michael Daugherty for his piece, "Deus Ex Machina."
You can find the complete list of Grammy Award winners here.
The DSO talks have apparently hit another roadblock according to the Associated Press:
Striking Detroit Symphony Orchestra musicians have rejected the latest contract proposal from orchestra management. A musician speaking Wednesday on the condition of anonymity because he isn't authorized to speak for the union told The Associated Press the offer was rejected but more talks are possible. Management officials submitted the proposal last Friday. It included a stipulation the musicians must respond by this Friday. Management spokeswoman Elizabeth Weigandt wouldn't confirm the rejection but says a statement is expected to be released later Wednesday. Teams representing management and musicians met in late January, but those talks collapsed as they accused each other of not adhering to a three-year, $36 million proposal made in December by then-Gov. Jennifer Granholm and U.S. Sen. Carl Levin. The walkout began Oct. 4.
The Kalamazoo Institute of Arts is holding a billboard contest for artists who live in Kalamazoo County.
Farrell Howe is with the KIA. She says artists must submit a one-page biography and five images of their work to enter the competition.
"Winners will then be awarded the ability to have their artwork featured on a billboard for one year," Howe says. "Basically what's great about that is it doesn't stay in one spot. The billboards will be rotating across 850 sites inWest Michigan."
I didn’t really watch the Super Bowl last night. I only flipped it on toward the very end to see what had happened. I also logged onto my Facebook page about the same time, and was floored to see my newsfeed exploding with updates, nearly all variations on one theme: “Imported from Detroit.”
I was curious to know what this was all about, and fortunately some helpful people had already posted links to the Chrysler 200 ad featuring Eminem. It begins with the familiar stark images of Detroit—the bleak industrial landscape, the vacant and decaying buildings. Then a growling, defiant voice: “I’ve gotta question for you. What does this city know about luxury?”
“What does a town that’s been to hell and back know about the finer things in life?”
The response is an unfolding visual narrative that was a surprisingly moving tribute to Detroit’s aesthetic and cultural beauty. Underlying it all is a frank admission that the city has been to hell, and it may still be somewhere near hell-ish. But like Diego Rivera’s gorgeous murals that depict Detroit in its industrial heyday, the ad also finds beauty in Detroit’s hardscrabble nature. It issues a defiant challenge to recognize that beauty, but offers no apologies to those who won’t.